More info here.
6.8.21
PhD research proposal on the role of embodiment in knowledge-based organisations awarded funding by the NWO
5-year PhD research proposal on the role of embodiment in knowledge-based organisations has been awarded funding by the NWO - Nederlandse Organisatie voor Wetenschappelijk Onderzoek (Netherlands Organisation for Scientific Research). More info here.
3.8.21
27.2.21
14.1.21
14.11.20
23.1.20
18.5.19
New text published in Simulacrum Magazine, Posthuman Issue, Vol. 27, no.3, Launch 23.5.19
post post post compost | Cinetol | Thursday 23rd of May
What to do (and with whom) in the age of the anthropocene, capitalocene, cthulhucene? Donna Haraway has described us as compost, as an ever evolving human and non-human mesh of beings. She calls for a “staying with the trouble” that requires a making kin through unexpected collaborations and combinations, in hot compost piles. If the human does not end at the skin, what are we capable of becoming? To what do the porous boundaries give way?
Simulacrum, magazine for arts and culture, presents: post post post compost, an evening filled with video art, performance, music and text on the occasion of its forthcoming issue: Posthuman. Emerging out of the publication, this evening provides space for a more creative and artistic approach to topics touching on the figure of the posthuman.
PROGRAM
Nell Schwan & Moa Holgersson [performance]
Guilherme Manuel [music & ai]
Tobias Groot [video & ai]
Stan Litjens [video]
Maisa Imamovic [text]
INFO
Cinetol
Time: 20:30 - 23:00
Entrance: FREE
MAGAZINE
Simulacrum | Posthuman (Vol. 27, no.3) features contributions by: Yanaika Zomer, Alice Rougeaux, Maisa Imamović, Trijsje Franssen, Max Litjens, Ohad Ben Shimon, Nadeche Remst, Sanne van Balen, Michelle Geraerts, and Tobias Groot.
14.5.19
New text "Anti-Sentimental Love" published in The Graveside Orations of Carl Einstein, 2019
THE GRAVESIDE ORATIONS OF CARL EINSTEIN, 2019
Edited by Dale Holmes & Sharon Kivland
Published by MA BIBLIOTHÈQUE
Contributors: Sean Ashton, Hannes Bajohr, Rowan Bailey, Sean Bonney, Uma Breakdown, Matthew Burbridge, Sonja Burbridge, Sophie Carapetian, Alison J. Carr, Declan Clarke, Kirsten Cooke, John Cunningham, Mark Curran, James Davies, Sam Dolbear, Kate Evans, Donal Fitzpatrick, Darryl Georgiou & Rebekah Tolley-Georgiou, Dale Holmes, Derek Horton, John Hyatt, Martin Jackson, Tom Jenks, Sacha Kahir, Sharon Kivland, Pil & Galia Kollectiv, John Z. Komurki, Mark Leahy, Rona Lorimer, Katharina Ludwig, Ed Luker, David Mabb, T.C. McCormack, Martina Mullaney,Nick Hadikwa Mwaluko, Benjamin Noys, Betsy Porritt, Bede Robinson, Benedict Seymour, Ohad Ben Shimon, Joshua Simon, Louis-George Schwartz, Zoë Skoulding, Spartakus, David Steans, Jeroen Van Dongen, Frank Wasser, Geoffrey Wildanger, Christian A. Wollin, Sarah Wood, Thomas Yeoman
160 pages
200 mm x 140 mm
Paperback
ISBN 978-1-910055-60-1
£15.00
200 mm x 140 mm
Paperback
ISBN 978-1-910055-60-1
£15.00
At the memorial for Rosa Luxemburg on 13 June 1919, the political radical, art historian, critic, and writer Carl Einstein gave an oration. There is no record of what Einstein said, how he said it, or what it addressed. This collection assembles a broad range of texts from artists, film-makers, writers, poets, critics, philosophers, and art historians. Each contribution is a speculation on what Einstein might have delivered, each as likely and as unlikely to be Einstein’s as any other. Through the multiple substitutions of Carl Einstein—a practice that Einstein pursued throughout his life—themes of masquerade, mistaken identities, of persons substituted after the event, of orations, speeches, and texts rewritten, speculated upon and redelivered, celebrating, mapping, and fictionalising a past life, are explored.
‘Not that Einstein, no, not Luxemburg, but rather those poor souls who lost the historical game, here celebrated in the jaws of defeat. Her words here, his words there, verbatim sometimes and mangled, like her body mangled, or lost, then found in fantasy sentences projected into the place of the missing graveside lines. In this volume, losses are made palpable through a plenitude of oratory vibrations, one for each bruise on her body.’
Esther Leslie
Esther Leslie
‘A beautiful volume of intelligent counter-history from the future past: Carl Einstein’s lost graveside oration for Rosa Luxemburg speaks back, producing a hundred-year delayed echo through the voices of writers, theorists, and artists from our present.’
Sami Khatib
More information here: https://mabibliotheque.cargo.site/Dale-Holmes-Sharon-Kivland-eds-THE-GRAVESIDE-ORATIONS-OF-CARL
14.9.18
Printing Plant Art Book Fair - Amsterdam, 'Until the last breath' Book Launch and Presentation, Looiersgracht 60, Amsterdam, 23-25.11.18
Printing Plant - Art Book Fair is an intimate and bespoke 3-day art-book fair organised by Looiersgracht 60. Artistic print culture has a rich narrative in Amsterdam’s history and Printing Plant offers a new and much-needed platform for the progressive publications that are being produced. A remarkable selection of artist editions, multiples, catalogues, books, monographs, periodicals and zines that are generally unavailable in bookstores will be presented.
Publishing
has assumed an increasingly central position within artistic
practices. Yet it has become more difficult to produce,
distribute and present special art books in recent years - often due
to a lack of funding. Many of the beautiful titles that have been
published are only on view in the shops of a few motivated and
specialist booksellers, museum bookshops and galleries. Printing
Plant will present a remarkable selection of artist editions,
multiples, art catalogues, books, monographs, periodicals and zines
that are generally unavailable in bookstores. Filling 750 square
meters of exhibition space, the fair will invite visitors to learn
more about the world of independent art book publishing from the
artists and makers who will be showcasing their works throughout the
weekend.
Opening
hours:
Friday
23 November 12:00-21:00 (17:00-21:00 Official opening)
Saturday
24 November 12:00-20:00
Sunday
25 November 12:00-20:00
Printing Plant is part of the official programme of Amsterdam Art Weekend 2018. The opening will take
place on Friday November 23, and will be accompanied by a captivating live performance. Over the course of the weekend, the fair will also be complemented by a carefully curated public programme, including a range of specialist talks, discussions, book launches, performances, signings, and bookbinding workshops for children. For more information please visit our website: www.looiersgracht60.org.
2.3.18
Only the curve remains, One Gee in Fog, Genève, Switzerland, 22.3.18 - 19.4.18
"Only the curve remains", a poetic evening with Carla Demierre, Alain Freudiger, Gilles Furtwängler and Wanda Obertova; within an installation by Ohad Ben Shimon and Manuela Cossalter & with a contribution by mathematician Anders Karlsson.
On the occasion of the Printemps de la Poésie 2018, one gee in fog is pleased to host "only the curve remains", an evening dedicated to poetic language in the digital era, taking place within an installation conceived by artists Ohad Ben Shimon and Manuela Cossalter.
Each of the four invited poets will perform her/his own poetic production, sprouting from and revolving around specific aspects of the digital realm: from networks to language, from the notions of presence and absence to the concepts of modelisation, of capture, etc.
Carla Demierre, Alain Freudiger, Gilles Furtwängler and Wanda Obertova come from three fields nourishing contemporary poetry: literature, visual/performative arts, and music. This diversity of their approaches finds its common denominator in an experimental way of working with voice, tone, breath and spoken word.
After the poetic evening "only the curve remains", the installation concieved by Ohad Ben Shimon and Manuela Cossalter will remain at one gee in fog until April 19, turning the exhibition space into a reading room, where a selection of texts and poems by Demierre, Freudiger, Furtwängler and Obertova, with the textual contribution by Anders Karlsson, will be available for consultation.
Opening: 22.3.18 18:00
(Open on appointment)
More information here.
30.10.17
20.6.17
From concrete to liquid to spoken worlds to the word, Centre d’Art Contemporain Genève, Genève, 31.5.17 - 27.8.17
The Centre d’Art Contemporain Genève is pleased to present a major project dedicated to contemporary poetry and its various modes of dialogue within the visual culture of our era. The goal of this complex exhibition program is to highlight how in recent years, contemporary art has begun to show a revived and growing interest in the world of poetry and the written and spoken word. Poetry readings and recitals in museums, performances centered on the importance of the text and its recitation, videos where poetic language takes on a role that rivals the visual component: the art of our time appears to be deeply and intimately rooted in words. Just when its fate seemed sealed for good in this chaotic and (seemingly) aphonic civilization of images, the word has returned to the fore among young artists and the viewing public.
More information here.
30.10.16
24.9.16
11.9.16
CAN KIOSK, Tel Aviv Artists' Studios (Sadnaot HaOmanim), Tel Aviv, 16.9.16-18.9.16, 11:00-14:00
On the occasion of Open Studios (Sept 16th+17th) Can Kiosk presents „Some Lines From Tel Aviv“, an exhibition by Michael Heym who invited artists from Europe and Israel in order to extend his logic of ideas on a display structure made of magnetic wall lines.
Artists Invited: Ohad Ben Shimon, Alexander Bornschein, Eitan Buganim, Sabine Dusend, Jonas Gerhard, Nir Harel, Michael Heym, Bastian Hoffmann, Shai-Lee Horodi, Hannah Hummel, Damaris Kerkhoff, Christoph Kilian, Bram Kuypers, Henning Frederik Malz, Lukas Marxt, Yotam Menda-Levy, Christine Moldrickx, Geut Naim, Johannes Post, Allan Rand, Lukas Schmenger, Ben Van den Berghe, Yasmin Vardi, Nico Joana Weber,
Alexandra Wolff.
Open Studios take place September 16+17, 2016, open Friday and Saturday 11-14. Address: Sadnaot HaOmanim (Artists’ Studios Tel Aviv), Kalisher St. 5, Tel Aviv Israel
More information here.
Documentation (Catalogue of Photo Installation "Crossing The Ruhr In Seven Small Steps" in top right corner):
10.9.16
FloppyPoppyWidy MATTER - C -, Editions Clinamen, Zabriskie Point, Geneva, 16.9.16-18.9.16
FloppyPoppyWidy MATTER - C - 16,17,18 September Zabrieski Point, Geneva A multidisciplinary and scalable publishing project . Over 90 texts to be assembled according to the desire of the player to create a panorama of art and thought . Friday 16 , 18h - 21h : LAUNCH OF PUBLICATION with an installation of Sacha Beraud , a maxi vegetarian buffet by Chloe Bovet and music with DJ C- Ray. FPWM - New Contributions by:
OHAD BEN SHIMON, NICOLAS BRULHARD, COSTANZA CANDELORO, LUCAS CANTORI, NATALIE CZECH, ARTHUR FOURAY, ANNE-LAURE FRANCHETTE, GILLES FURTWANGLER, LAUREN HURET, ADRIAN MANUEL HUBER, PRIMO LEVI, JULIA MARCHAND,SÉBASTIEN MENNET, NICOLAS NOVA, ALFREDO PALLAVISINI, CAMILLA LUISA PAOLINO, COLIN RAYNAL, MARTA RINIKER-RADICH, MICHELE ROBECCHI, FABRIZIO STRADA, STEFAN TIRON, JOËL VACHERON, TIMOTHEUS VERMEULEN, GALAXIA HONGWEI WANGcouvertures ::: EMILIE DING, CEEL MOGAMI DE HAAS, NICOLAS RIIS
FloppyPoppyWidy MATTER is a conceptual, pluridisciplinary and evolving publishing project. Outside of predefined fields, a singular reflection is created in the junctions. FloppyPoppyWidy MATTER attempts to follow these lines of thought. Through an interrogation of imminence and the multitude, combination or chance, the project provokes encounters, allowing for new conceptual links. The connections of ideas are not controlled, different each time, subjected to the singular imagination of the reader. A sort of revisited Zettelkasten that places the reader inside the writing process.
It’s also the creation of a panorama. Mixing authors, artists, philosophers, researchers and scientists – in a given format – to take stock of thought here and now. Attempting to show a reality, to make a collection of ideas that reveal the world. Over time, the contributions grow and the project grows. No subject, style or genre is imposed; the choice of these questions by the author is also revealing of our interests.
More information here.
13.6.16
OPEN AVOND(S) - A proposition from the archive, de Appel arts centre, Amsterdam, 15.6.16, 20:00-22:30
The apple and the worms, Hezy Leskly, Artzien Vol.2 No.6/7 April/May 1980
A proposition from the archive of de Appel arts centre
OPEN AVOND(S) is the kick-off of a series of events, which aims to revive a concept, presented at de Appel arts centre between March 1979 and October 1980. Every first Wednesday of the month, de Appel offered artists the opportunity to show their work between 8 and 10 pm. Artists had to register their contribution at least one day in advance, so that the programme could be compiled.
Such a stage connected established practices with more experimental ones. Would this relatively improvised and fast 'route' still be viable nowadays?
De Appel has been considered one of the first supporters and promoters of performance art in Europe. Looking back to this period seems a fundamental step in a process of a possible re-identification.
Between June 6 and 11, an open call was directed to any artist interested in presenting her or his work at de Appel, to be presented at the evening of June 15.
The framework of the open call was determined by a selection of documents from the archives of de Appel, chosen for the dialogue they create with present practices. The same material inspired questions, such as 'what constitutes an identity?' and 'how to play role dynamics?'. These were used as guidelines for the open call.
Works from the archive by artists Vito Acconci, Hezy Leskly and Edmondo Za will be introduced in collaboration with sound artist Gunnar Gunnsteinsson during a rambling evening connecting past with present through humour and tragedy. Archival resources will intermingle with the performances and contributions by artists Ivan Cheng, Andrius Mulokas, Ohad Ben Shimon, Urok Shirhan, Ieke Trinks. The selection reflects a variety of formats and contents, which will create a dialogue among them.
Special thanks to Nell Donkers, Abel Kroon, Titus Nouwens and the staff of de Appel arts centre.
Entrance: 3 euro (no museumkaart needed)
More information here.
Subscribe to:
Posts (Atom)